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Tony Rockliff
Record Producer

Tony Rockliff has decades of experience as a record producer, recording engineer, composer, videographer, writer and marketing specialist. He has also given numerous seminars rehabilitating artists and helping them promote themselves more effectively.

People he’s worked with in various recording capacities include: Mary Wells, Lamont Dozier, Kim Fowley, David Carradine, Cat Stevens, Billy Ocean, Beck, Nigel Olsson & Dee Murray (Elton John), Regina Bell, The Temptations, Alan Parsons, George Martin, Bill Bruford (Yes), Colin Young (The Foundations) Stacey Keach, David Pomeranz, David Campbell, Harriet Schock, Paul Carrack (Warm Dust/Ace), Brian Johnson (Geordie/AC-DC), Matchbox, Dean (Jan & Dean), Ray Manzarek (Doors), Elaine Page (Evita), Ken Hensley (Uriah Heep), John Gilston & Robin Williamson (Incredible String Band), Pat Travers, Albert Lee, Ainsley Dunbar and numerous others.

Among the record companies he’s recorded for as a producer are Decca, Youngblood, AIR (George Martin's company), Sony, Columbia, Red Bus, Hansa, Mowest (UK Motown), Bus Stop, Magnet, S.O.S., LBL, Breaker and Trend Records. As a songwriter, he’s had publishing deals with Intune, Dick James Music (Beatles publisher) Red Bus, De Walden Music, Birth, Casanova and Creative Music (K-Tel).

He has had 16 recording and publishing deal offers, accepted 12, had 14 singles released and 3 hits. He pioneered various recording techniques including being the first person to create and use a bass and drum loop on a released record. He has had his own studios since the early 80's.





Music Production
Samples
(click title)


Emptiness I Hold
by Chuck Colonair

In The Fire
Broken Owen

Memory
by James Pergolatti

Footprints
by Don Capone

Wherever You Are
Broken Owen

Missing You
Bill Friday
 

Record Production Testimonials

"An artist's project is seldom completely understood and duplicated when it comes to their own feeling and vision of a production - so one expects a compromise. Until Tony Rockliff. Tony expertly breaks down any possible barriers that may seemingly be in the way of the artist's complete expression, then follows down your journey of aesthetics enhancing each turn, marrying into the concept and without a flinch lifting you through each plateau. Working with Tony was so effortless that I felt able to "make love" to my music. A Master Producer."

KL

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"I would like to thank Tony for the fantastic job he did on the production of The Road's "This Time It's Love'. Tony's pre-production and efficiency in the studio kept the sessions running very smoothly. Tony also has a fantastic ability to create a safe space and produce great sounds and bring the best out of an artist and get it onto tape. This is something very needed in this business and Tony really came through for us."

JH

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"What every singer/songwriter is looking for in a producer is someone who will truly understand the intention, viewpoint and universe of that particular song and make it come alive. Preserving and bringing out the integrity of the song means everything. Tony Rockliff took a very, very sketchy acoustic guitar rendition of my song and made it into a full rock production that was creative and professional. It still was totally my song -- just bigger and better. He also appreciated and used my input to the project rather than just bypassing me. Tony is very safe and creates a warm and playful environment. On top of getting a great product, it's a heck of a lot of fun!"

TL

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"I wanted to write to you to express our satisfaction with our recent recording sessions with you acting not only as the producer, but also the engineer. It never fails that you seem to take the quality of the session seriously to the point where it is hard to tell demos apart from masters. This is so true that I know we could get away with pressing our demos, and no-one (but you) would know the difference. We are also very pleased to see that you have mastered the new computer technology, and the savings to us in studio time and money is further proof that your concern goes deeper than just making sure the levels are right. We are impressed that you stay up to date on the latest changes in the computers, and are constantly updating the sounds available for our use."

M, M & T

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“Tony, I wanted to let you know how fun it was to record in your studio earlier.... I had a blast! It was so great to have your expertise for the recording of my first demo. And the fact that you made it easy and comfortable for me was a real bonus. You are brilliant and amazing, and I am learning a lot in this process. I am so excited to record the next song!

"Thank you again for all of your hard work and care."

TT

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"I had a CD I recorded a couple of years ago containing a bunch of my instrumental guitar originals. I had a lot of personal hoopla on it when I 1st did it and I managed to "hawk" about 60 or so of them to my friends and acquaintances in a somewhat enforced manner. Then the wind went out of my sails on it and I lost interest in pushing it and really didn't know what to do next to get it to the next level.

"Enter master sound engineer/music industry pro Tony Rockliff. He initially said the exact things to get me re-inspired to do something further with the CD. The first quest was to really master it (I had done a fairly good job at mixing it on my home system but I had no idea really of the mastering process).

"Wow! What a difference having it mastered in the hands of a world class pro like Tony. He is a blur of tools on his computer that look largely like Martian to me and he works in a whir of skilled action as he does delicate surgery on your music. But he's with you on each step, checking if you are happy with each result of the mastering process. And boy! What a difference!

"Each piece just came to life. I am newly inspired to get my CD into the hands of many. I additionally attended a seminar Tony did on marketing your CD which was incredible and gave me the exact tools to get my music out there and really selling. If you have music to be recorded, mixed or mastered or need help on how to actually go to the next level in getting your music out there, Tony is definitely your man. Look him up and go to work, you won't regret it in the least."

GS

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